Grouping  of two (2) rare stereoviews depicting Native Americans in the Huffman Montana territory. Views include: 

1.) Sioux Village on the Yellowstone outdoor albumen stereoview. Miles City, Montana: L.A. Huffman, n.d. Publisher's imprint printed to mount recto. Series identification printed to mount recto. 

An excellent stereoview featuring a sprawling Lakota encampment nestled along the cottonwoods of the Yellowstone River valley, featuring numerous pitched tipis with extended lodge poles, blankets airing, and an individual in broad-brimmed hat and blanket wrap standing in profile in the left foreground.

2.) Yanktonais Camp outdoor albumen stereoview. Miles City, Montana: L.A. Huffman, n.d. Publisher's imprint printed to mount recto. Series identification printed to mount recto. 

 The sparse, open-prairie view shows an arrangement of tipis against a backdrop of bare scrub timber, with native women and family members seated and standing outside the lodge skirts alongside drying scaffolds and encampment gear.

Arriving at Fort Keogh in 1879 to serve as post photographer, L.A. Huffman became the definitive visual chronicler of the northern plains during the tumultuous transition from free-roaming nomadic life to reservation confinement. His documentary views of Lakota, Northern Cheyenne, and Yanktonai Dakota encampments stand apart for their complete lack of romanticized studio staging, offering raw, unadorned historical records of everyday prairie existence. Original Huffman stereoviews bearing his early Miles City imprint remain scarce and highly prized among frontier photography collectors.

[Stereoview, Stereocard, L.A. Huffman, Laton Alton Huffman, Miles City, Montana Territory, Fort Keogh, Sioux, Lakota, Yanktonais, Dakota, Plains Indians, Yellowstone River, Tipis, Tepees, Indian Village, Encampment, Western Americana, Native Americana, 19th Century Photography]

Very good condition overall. The albumen prints retain strong tonal depth, sharp focal definition, and rich contrast, with minor surface dusting, faint scattered foxing, and honest, light corner rubbing consistent with age. Card mounts remain flat and structurally sound.