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Day 1: Historic & Early Americana

Fri, Apr 24, 2026 09:00AM EDT
  2026-04-24 09:00:00 2026-04-24 09:00:00 America/New_York Fleischer's Auctions Fleischer's Auctions : Day 1: Historic & Early Americana https://bid.fleischersauctions.com/auctions/fleischers-auctions/day-1-historic-early-americana-20869
Day one of Fleischer's 2026 Spring premier auction includes early American artifacts, documents, signatures, ephemera, and weaponry. Rare material relating to African American history is featured, as well as fine examples of antique photography.
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Lot 215

[ABOLITION] Maria. W. Chapman ALS, Private Critique of the Abolitionist Circle

Estimate: $500 - $750
Current Bid
$100

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AUTOGRAPH LETTER SIGNED BY MARIA WESTON CHAPMAN, A FEROCIOUSLY INTELLIGENT AND INTIMATE APPRAISAL THE ABOLITIONIST CIRCLE


N.d. circa 1880, n.p., likely Weymouth, Massachusetts. 16 pages on 8 folded sheets, lacking the sheet containing the first and last two pages; signature preserved on p. 5. 8vo.

 

A vivid, intimate, and sharply opinionated autograph letter by Maria Weston Chapman (1806–1885), one of the most formidable female voices of the American abolitionist movement and a founding figure of the Massachusetts Anti-Slavery Society. Addressed to an unnamed but evidently trusted confidante, the present letter offers an unusually candid glimpse into Chapman’s private judgments of fellow reformers, her memories of the inner abolitionist circle, and her complex assessment of the celebrated Unitarian divine William Ellery Channing.

 

The letter opens with an admonition underscoring both its personal nature and the sensitivity of its contents: “This letter is for you alone. I should not wish any one (unless some one dear friend nearer than I am to you) to see it except the ‘Garrison Boys’ as we used to call them.” The reference is to the sons of Chapman’s close associate William Lloyd Garrison, with whom she worked intimately for decades in the antislavery cause, including editorial work connected to The Liberator. Chapman further remarks that “neither they, nor their father knew much about Dr. Channing. Tis I that am the witness in his case...,” asserting with unmistakable confidence her own authority as an interpreter of Channing’s life and character.

 

Written in response to recently published reminiscences and studies of Channing, including Elizabeth Peabody’s Reminiscences of Rev. Wm. Ellery Channing (1880), the letter is at once literary criticism, character study, and personal testimony. Chapman faults these works for their inadequacies even while noting that Peabody’s is the “least condemnable.” In one of the letter’s central arguments, she contends that these authors dwell upon Channing’s weaker points chiefly to conceal their own “deficiencies,” while lacking the standing to judge him properly. Chapman, by contrast, insists upon her unique qualification to speak, grounded in longstanding personal familiarity: her family attended Channing’s church, and she notes that she was “always in communication with him.”

 

That proximity does not yield reverence. In one of the letter’s most arresting declarations, Chapman states with bracing directness: “I do not think him a great man.” The judgment is quintessential Chapman: unsentimental, incisive, and wholly indifferent to pious reputation. Throughout, she writes in a familiarly conversational but acerbic mode, displaying the force of mind, independence, and moral severity that made her one of the most effective and, at times, polarizing figures in antebellum reform culture.

 

The letter is especially valuable for the light it sheds on the private intellectual world of the abolitionist movement after the Civil War. Chapman here appears not as a public organizer or editor, but as an aging veteran of reform reflecting with undiminished sharpness on the reputations of the generation with whom she had labored. The result is a document of unusual candor, preserving the voice of a central abolitionist figure in all its wit, authority, and severity.

 

[Manuscripts, Documents, Letters, Ephemera, Signatures, Autographs] [Enslavement, Abolition] [Women]

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